Romantic travelers want to be transported to another time and place, even if it’s just for dinner. And many don’t need to go any further than the warm spots in their memories where spirits of their youth play in familiar surroundings. That why folks still trek to the Empire State Building, decades after it stopped being the tallest in New York. That’s why sports buy every seat to Wrigley Field, Cameron Indoor Arena and Keeneland even though the comforts and amenities in those places are sorry by today’s standards. It’s also why travelers adore historic old hotels like the Ahwahnee at Yosemite, the Greenbriar in Appalachia and the Grand on Mackinac Island where Hollywood goes to make movies about time travel.
Entire towns are sometimes holy depositories of zeitgeist - a German term that means “spirit of a former time.” Historic twists of fate can freeze cities and ghost towns in time like Bruges and Maccu Piccu on a grand scale of centuries. On old Route 66, Albuquerque has become adored by travelers for maintaining a cornucopia of Eisenhower era quirks and amusements, punctuated with outdoor adventure, gorgeous landscapes and time warp architecture. Just as that New Mexican city marked the two thirds mark on Route 66 between Chicago to the California coast, Chattanooga marked a similar progression on old Highway 41’s route from Chicago to Florida. That’s just the beginning of the similarities.
Both towns were best known to most of America through popular songs about travel - “Route 66” for Albuquerque and “Chattanooga Choo Choo” and “Chattanooga Shoe Shine Boy“ and “Ramblin‘ Man” for Chattanooga. Both are drop dead beautiful mountain towns where nature provides everything an adventure traveler could desire - river treks, skydiving, gliding, hot air ballooning and rock climbing.
Because songs are so much a part of the way we imagine Chattanooga, Wroburlto and I planned our trip for Riverbend Festival - nine days of eclectic music ( Last year we saw Willie Nelson, Three Dog Night and Train, plus numerous other acts on smaller stages) on the Tennessee River downtown, with one day off for the Bessie Smith Strut, a neighborhood blues fest that celebrates Chattanooga’s most famous singer and attracts some long distance barbecue kings besides. We checked into the newly remodeled Chattanooga Doubleday, just four blocks from the music festival and even closer to the famous Tennessee Aquarium and downtown.
Chattanooga is pedestrian friendly. The Doubletree was just a block from a city wide free shuttle bus service that connects just about every part of town we wanted to visit and making it possible to only rent a car for one of the four days of our trip.
Tia-Numa & His Curse
Determined to get some educational stuff in before dinner, we walked up, 80 feet straight up, to check out a most peculiar art museum whose history includes as many colorful anecdotes as a half dozen William Faulkner novels combined.
The Hunter Museum of American Art was built on holy ground - former home of the Cherokee’s giant hawk god “Tia-Numa.” After chasing Tia-Numa and his people away, white folk first built an iron foundry on this sacred bluff - an offering to the gods of industrialization. Union forces destroyed the foundry in the Civil War and then insurance broker Ross Faxon built an Edwardian mansion here, with lots of Classical Greek touches thrown in. About the same time, local businessman Ben “Quick” Thomas bought the national rights to bottle Coca Cola during a gentleman’s outing. The founder of that soft drink company couldn’t imagine why anyone would ever want to drink Coke out of a bottle, so he figured he was stealing $1 from the imprudent Thomas.
Ben’s nephew George Thomas Hunter was a gay blade who suffled around Chattanooga in Rolls Royce, took over his uncle’s company and broke the hearts of all the unmarried women in town. He bought the Faxon mansion and later willed it to the city, to be turned into an American Art Museum. Two modern glass and steel additions later, it’s remained true to its American-only mission. It dazzled us with do-it-yourself art mirrors
and some food art - Severin Roesen’s “Nature’s Bounty” and Rich Goodwin’s “Huntsman’s Door.” Our visit coincided with “Jellies: Living Art,” a collaboration with the Tennessee Aquarium that paired the artistic splendor of fine glass sculpture with the living beauty of jelly fish.
Dinner in Bluff View Glass fish make us hungry so we walked a couple blocks to the Bluff View Art District where a single family revitalized a turn of the last century neighborhood over 50 years of due diligence. Dr. Charles and Mary Porteras began purchasing property and remodeling arty conversions back in 1960, when Chattanooga had been stung. The New York Times named it America‘s most polluted city. That was the curse of Tia-Numa.
Anchored by the River View Art Gallery, with a super regional collection of high and folk art, the area includes an outdoor sculpture garden that overlooks the Tennessee River, B&B’s, additional galleries and three distinct restaurants all of which are provided by Bluff View’s own coffee roaster, bakery and chocolatier.
We learned that the bakery turns out over 50 pastries a day, all laminated, hand mixed, artisan products. We tried croissants, puff pastries and the area’s signature - The Nun, a “Napoleon with a hood.
The chocolaterie was run by Jerome Savin, a French educated chocolate genius who prefers Callebault and high cocoa butter (22 - 54%) confections. His mastery of tempering allows these high fat treats to have reasonable shelf life and a signature sheen.
Just to be sure, we only ate freshly made truffles. In a former glass factory, coffee roaster Matt showed Wro the dramatic differences in fresh beans.
We had to choose between two fine dining restaurants - Tony’s, which makes all its pasta from scratch daily, and Back Inn Café, a more traditional place with historic trappings. Wro chose the latter for its library dining room. I began dinner with huge seared scallops served with a sweet pepper pomace and lemon emulsion and charred pico do gallo. Wro opted for fried green tomatoes, the first of many versions we would have in Chattanooga and one that would set the template for “Chattanooga fried tomatoes” - a serving that included cooked prosciutto, lots of melted goat cheese and some fresh greens.
We split an excellent lump crab timbale served simply with sliced green apples and crostini with olive oil. Knowing we would be visiting the fresh water aquarium, I reasoned that this might be my last conscience-free chance to eat frog legs for awhile and huge legs from Indonesia proved irresistible fried in panko and served with slaw.
Lobster bisque was made with lobster shell stock and salad was fresh as spring time.
Wro ordered turbot ( whose relative would cast indicting eyes at us when we visited the Aquarium) served on wild mushroom risotto with crispy noodles and haricot verts. I ordered a NY strip “Rembrandt style,” rubbed in coffee and served with asparagus, mushroom cream sauce and truffled mashed potatoes.
Crème brulee and chocolate mousse cake finished our evening. We retreated to the music fest and thanked God that our hotel was only a few blocks away lest we fall asleep on the music grounds
Blue Plate
The next morning in our hotel lobby, we saw a guy wearing a T shirt for a tow truck museum. Loving such quirky places, we followed him into the gift shop and asked about it. He offered to drive us there. Turned out he was Bill Mish , the owner of the hotel. That’s the kind of place Chattanooga is.
We began the next day at Blue Plate, a metropolitan diner with a locovorean spin on comfort food. The place is designed for efficiency and that encourages the use of fresh food. There is only one tiny freezer and only two flat top stoves. Yet they manage to serve breakfast lunch or dinner at all hours they are open.
“This is a metropolitan diner, not a Mom & Pop. We hired an architect from Berkeley. It was really something new in 2005. Now it’s a style all around town,” said owner Rob Gentry of black and white schemes with wood and exposed ceilings.
“No one was doing breakfast downtown then. I see now why Waffle House does so well. Even though our average check is only $12 - $13,” Gentry continued.
Chef Joseph Black showed Wroburlto around. Joseph invented a Moon Pie cheesecake that both the restaurant and the Moon Pie company brag about. He showed Wro his stashes of local goodies - Aretha Frankenstein pancake mix, pastries from Bluff View and Niedlov’s bakeries, Stone Cup coffee, Spencer Farms chickens, River Ridge Farms pork and eggs, House of Rayford turkey, Clumpie’s Ice Cream and Mayfield Farm cream.
We tried a light breakfast of pancakes, with free ranged eggs and bacon. plus meat loaf and mashed potatoes with collard greens and creamy mac & cheese. I know that doesn’t sound like breakfast but soul food is hard to find in San Francisco, so we get it while we can.
Song of the Southside
The Southside is Exhibit A in Chattanooga’s most recent renaissance. Anchored by its old railroad terminal, it is a Bruges Syndrome story. Like that medieval Belgian city, economic circumstances froze the industrial southside’s real estate and architecture in time for decades. As suburban sprawl dominated new construction between World War II and the 21st century, the southside’s old brick buildings languished - too sturdy to tear down cheaply until restoration and gentrification became stylish. Now the southside and downtown are trendy again and not just on the covers of bricklayer magazines.
Southside revival began with the brick and mortar version of a song. “Chattanooga Choo Choo” was written by Mack Gordon & Harry Warren while traveling on the Southern Railway's "Birmingham Special" train. Glen Miller’s version of the song was # 1 hit in America for nine weeks during World War II. The inspiration for the song was a small, wood-burning steam locomotive which belonged to the Cincinnati Southern Railroad and now is a main attraction in what used to the Chattanooga Terminal.
Opened in 1909 that railroad station hosted thousands of travelers during the Golden Age of railroads. Now known as Chattanooga Choo Choo, it was saved from the wrecking ball in 1971 and transformed into The Garden’s, a restaurant modeled on Tivoli in Copenhagen. Today, it’s a 23 acre complex offering a variety of overnight accommodations, including Victorian Era train compartments and suites, plus authentic New Orleans trolley rides, a model railroad display, formal gardens and a bar that evokes that glorious era.
Holmes Wreckers & Other Heroes
We could have lingered all morning at the Choo Choo but Wroburlto is a modern bear more interested in tow trucks than antique trains. So we took Bill Mish up on his offer and headed to the International Towing & Recovery Museum and Hall of Fame. I am not making that up.
There we learned that the Holmes Wrecker (1913) is not a slut TV show and that the Bubble Nose is not a fish. Well at least it’s not just a fish.
Those are both famous antique tow trucks that now educate and comfort fans who come from all over America to see them. This quirky museum also enshrines workers who gave their lives as first responders - a frightfully under appreciated number of brave souls each year. We also saw the world’s fastest ever tow truck, appropriately owned by a garage in Talladega, Alabama. Wro loved this place and even Mamabear was fascinated. Wearing a T shirt that said “We knead to love,” owner John Sweet said he learned in Germany that “Good bread is a commonality to good life.”
Niedlov’s practices extensive fermentation. Sweet wanted a unique leavening agent and created his own mother starter (we call that sourdough in San Francisco) on Lookout Mountain. As the Chattanooga food renaissance developed, he moved to the southside to be in the middle of it.
Moveable Feast
At Niko’s Southside Grille, owner Nick Kyriakidis added linen tablecloths, dark woods, modern lighting and impressionist art to the brick wall ambiance of an old warehouse. Chef Edward Lewis turns out “Greek & Southern fusion” cuisine - grouper is given a Thai treatment, grits are served with shrimp and tasso ham, quail are wrapped in bacon and flat iron steaks are marinated in Jack Daniels.
But old Greek American favorites dominated the appetizer menu we tried: traditional hummus; tzatzikis; and tapenades with pita and sweet potato chips; beef-stuffed grape leaves; fried calamari rings; fried kasseri cheese with pecans and bread toast; and some fried green tomatoes with arugula, goat cheese and prosciutto.
St. John’s Restaurant and its owner/chef Daniel Lindley are Chattanooga’s consensus top dogs. Wro gets excited about meeting hot chefs so he was disappointed that Dan couldn’t be there the night we came. We discovered much later that he was having surgery after a bad accident.
Set in a 1920’s bank with live jazz, balcony dining and deco trappings, St. John can certainly transport diners to another time and place. It epitomizes the black & white, mortar & brick, marble & wood, Modernist “Chattanooga style.”
Our plan had been to have entrees only but we couldn’t resist a couple appetizers: divine tenderloin tartare with a capers, shallots and quail eggs;
Fish We Didn’t Eat
If the Hunter is old Chattanooga, the Tennessee Aquarium represents New Chattanooga. Designed by Boston architect Peter Chermayeff, its opening in 1992 signaled the city’s intention to rid itself of a negative image from Tia-Numa‘s curse. The place first opened as the world’s largest freshwater aquarium. Today the original building showcases “River Journey,” with exhibits that follows a single drop of water flowing from the Appalachian Mountains down the Tennessee River to the Gulf of Mexico.
One popular rumor, which will never be likely die or be confirmed, is that Home Depot management bore such a grudge against Chattanooga that they donated money to Atlanta for the purpose of building a bigger aquarium. Chattanooga responded by hiring Chermayeff’s firm to build a $30 million, 60,000 square-foot adjoining building, which opened in 2005 and jumpstarted a downtown revival that also created a beautiful new ball park, the Riverfront festival grounds and the restaurant renaissance we had come to sample.
The new aquarium building showcases “Ocean Journey,” a story of the unique coral reef systems in the Gulf of Mexico. We watched 10-foot sharks, fierce barracuda and graceful stingrays glide through amazing coral formations. Other galleries showcase cuttlefish, scaly tarpons, squid, crabs and jellyfish, some of which we found on local menus.
We saw the rest of “Jellies: Living Art,” the collaboration with the Hunter that paired the artistic splendor of fine glass sculpture with the living beauty of jelly fish. In a butterfly gallery we particularly enjoyed the Tawny Owl, who did not seem to mind us at all as he sat in his black olive tree.
The aquarium boasts more turtle species than anywhere in the world. We met Oscar, a rescue turtle, who had been run over twice by motor boats. When he first came to the Aquarium, his lungs popped out when he inhaled.
Downtown Dine Around
After the overindulgence of the previous night, we decided to only hit two restaurants on our next dine around. We started with Easy Bistro, another paragon of the Modernist/Deco black & white, masonry and tile Chattanooga Style. Chef - owner Erik Niel is a Cajun country transplant who keeps a faith with both his bayou and gulf roots by blending Deep South and Continental cuisines. This was the only place in town where fried green tomatoes were not covered or stuffed with melted cheese.
Erik’s were heavenly with just bacon, black eyed peas and a crawfish vinaigrette.
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